“The Lotos-eaters” is a poem penned in 1832 by the British Poet Laureate Alfred, Lord Tennyson. A piece already referencing Homer’s Odyssey, a nesting effect of references takes place when Armond (Murray Bartlett) quotations Tennyson’s poem in the most up-to-date episode of Mike White’s collection, The White Lotus. “Should daily life all labour be?” Armond rates, foremost the audience to surprise exactly where he sees his own place inside the narrative of Tennyson’s poem. Does he envision himself as one particular of the lotus-eaters from Homer’s Odyssey, presenting satisfaction and leisure to the friends of The White Lotus, enabling their lives of mindless indulgence and meaninglessness? Or probably Armond is much more in line with the mariners of Homer’s epic, searching for a location to relaxation after laboring more than others’ requirements for so long, only to indulge in toxicity and habit. It is no marvel that this episode of The White Lotus requires its name from Tennyson’s Odyssey-referencing poem, as the inhabitants of the titular resort hit rock-base towards a ground of disappointment and resentment, reaching the end of their journey for release.

“The Lotus-Eaters” sees The White Lotus hurtling in the direction of the finish line, offering a penultimate episode the two significant on gloom and engulfed in chaos. Past week’s episode finished on quite the cliffhanger, with Armond caught possessing sexual intercourse with a person of the resort’s workers in his office, a new very low for the backsliding addict and basic trickster. Bouncing concerning Armond’s stress subsequent this interruption, we see the partnership amongst Kai (Kekoa Kekumano) and Paula (Brittany O’Grady) acquire into something sudden. Hatching a Robin Hood-esque plot, the two fans enact a daring program to rob the Mossbachers blind, with Kai breaking into the family’s safe. Even so, the would-be approach to support people the vacation resort trods above, the indigenous Hawaiians, falls apart as Kai is found out in the act. The confrontation that follows is a person of the series’ much more chaotic sequences, a authentic shock as the situations of the series consider a key change for the worse. As Mark (Steve Zahn) basks in the glow of his heroism in confronting Kai, consuming up the new luxuries the apologetic vacation resort bestows on him and his family, Kai is left on the run.

Nicole Mossbacher (Connie Britton), when confronted about indigenous personnel of the resort (like Kai) acquiring to accomplish their cultural rituals for the loaded and white inhabitants of the resort, results in being defensive. She spins the kicked-out natives’ performances in a good light-weight only she can see, boasting the performances are “just a way for them to honor their culture.” Even more eerie, her spouse Mark statements, “Obviously imperialism was terrible … But it’s humanity. Welcome to record. Welcome to The usa.” Kai’s robbing of the Mossabachers feels completely justified if a little bit misguided.  Even so, Mike White’s composing leaves actual stances murky when it comes to matters of imperialism and appropriation from the privileged elite. Clearly essential of the rich at The White Lotus, White nevertheless, even at episode five of his series, fails to deliver a cogent level for the occasions of the collection. White excels at illustrating in refined ways how wealth and elitism perform, delivering an all-encompassing pressure-industry about those who move within the ranks of extreme privilege. When subtlety is appreciated, at a specified point there ought to be some variety of function guiding the chaos of what transpires at The White Lotus. 


Even though the Mossbachers confront unbelievable upheaval in “The Lotus-Eaters,” other friends practical experience a dizzying array of events as nicely. The dynamic in between Tanya (Jennifer Coolidge) and Belinda (Natasha Rothwell) proceeds to evolve, and Jennifer Coolidge carries on to find intriguing new wrinkles in the ever-changing character that is Tanya. Coolidge manages to make Tanya, a character who need to be off-putting in the extraordinary, sympathetic in her awkwardness. She’s vulnerable and open, and self-sabotaging to the place that we just can’t support but want the very best for her. Although Tanya falls head-to start with into a love affair, Belinda falls to the wayside in the duo’s shared business enterprise plan. It is easy to marvel why Belinda goes along with Tanya’s 50 percent-baked organization program. Nevertheless, when considered from the atmosphere of The White Lotus, it isn’t hard to fully grasp the monotony of the vacation resort. A probability at escape of some sort, of a way to get management of the condition and attain entry to a land of chance and leisure, is certainly tempting to an individual like Belinda who has experienced working day-in and working day-out operating at the vacation resort. 

“What is it that will very last?” reads the previous line of Tennyson’s poem, delivering a great punctuation for the struggles struggling with Armond and Belinda at The White Lotus. In the eyes of the vacation resort employees, absolutely the worlds of these wealthy attendees bear the most influence on their lives. Privy to the worlds of privilege these friends inhabit each individual day of their life, the temptation to give in to this way of living, to slide for the traps the prosperous lay for them grows more powerful. When Armond toys with Shane (Jake Lacy), he looks to delight in staying a disruptor of Shane’s uncomplicated-going everyday living, wielding some sort of energy when he usually bears none. The similar goes for Belinda, slipping for a hopeless organization endeavor to humor a prosperous lady. In the environment of The White Lotus, wealth is the biggest pressure of power, and when the lotus-eaters arrive bearing the intoxication it delivers, the vulnerable are sure to succumb. But White’s show appears to beg the query, who is truly susceptible in this predicament?

The White Lotus airs on Sundays 9:00 p.m. EST on HBO and also on HBOMax.